week 3 / 2026: pulp and pith Reading round-up: the long game of fashion brand narratives; hints of a revivalist Romanticism; the magickal power of naming things; and the creation of history through the storying of the dead.
week 2 / 2026: ... and the circus leaves town Reading round-up: Rodney Brooks reassesses his own AI predictions; Dan Wang holds forth on China (and everything else); Bruce Sterling reports from the depths of the multitool rabbit-hole; an anthology of stories in homage to J G Ballard.
week 01 / 2026: the medium is the maxxage Reading round-up: the (temporary?) end of completion; the four laws of media; the failure of USian political science; and the end-game paths of the risk-maxxing paradigm.
week 51 / 2025: tearing away the caul Reading round-up: the performative shaming of “performative reading”; the post is the product; the illusion of inevitability; and maximalist manga-monster steampunk-fantasy strangeness.
week 50 / 2025: ancient of days Reading round-up: Auger disowns design-as-augury; a return to Turnton Docklands; a potted history of futurology; and an anarchist's analysis of utopian bureaucracy.
week 49 / 2025: against the supposedly inevitable Reading round-up: the end of The Line; socially constructed technological inevitability; the crusade against empathy; the Noughties as the Before Times... and the attentional friction of poetry.
a requiem for "The Future" What is the object of the verb "to future"? What is its subject? And what are the implications of the answers to those two questions?