week 24 / 2026: showing and telling Like science fiction literature, a well-executed work of experiential futuring can look prophetic in hindsight—but it’s what they get wrong that tells you the most in hindsight. Plus: when to show, and when to tell?
week 23 / 2026: now and then In this edition of weeknotes: Adam Curtis on the trap of self-hood, USians on their preference for the present over “The Future”, Sherryl Vint on the merging of the two meanings of speculation, and Chris Butler on the necessary friction of the uncertain present...
week 22 / 2026: fathers and sons After the hourglass has been overturned, there is a period during which the sand must resettle itself before the flow of time can become regularised once again. We are living through just such a period.
week 21 / 2026: empire and multitude I’m pleased to announce a new publication: you can read a short story by yours truly in the just-released RISCS anthology! Meanwhile, feel free to hang around and discuss the shaky foundations of the USian technopoly, and the possible fates of the nation-state...
week 20 / 2026: regimes and revolutions If “AI” is a revolution, as its ideologues would have us believe, then they might want to consider how unpopular revolutions tend to end. Are they sincere in their beliefs? I argue that it doesn’t really matter, but that we should nonetheless treat them as if they are.
week 19 / 2026: centres and edges The openings of stories, and the titles we give them, have a huge effect on how they land with the audiences—but as always with stories, it’s an art rather than a science. Plus: in praise of living and working at the edges.